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Welcome

Welcome to Captivating Natalie Dormer one of the largest and longest running sources dedicated to British Actress Natalie Dormer. Natalie is best known for her role as Anne Boleyn in Showtime’s The Tudors but you also may recognise her from CasanovaGame of Thrones and The Hunger Games: Mockingjay Parts 1 & 2. Currently, you can find Natalie as Magda in the TV Series Penny Dreadful: City of AngelsCaptivating Natalie Dormer aims to be your most up-to-date and comprehensive source for Natalie. Check back daily for all the latest news, photos and info. Thank you for visiting the site and supporting Natalie and her career!


Welcome

Welcome to Captivating Natalie Dormer one of the largest and longest running sources dedicated to British Actress Natalie Dormer. Natalie is best known for her role as Anne Boleyn in Showtime’s The Tudors but you also may recognise her from CasanovaGame of Thrones and The Hunger Games: Mockingjay Parts 1 & 2. Currently, you can find Natalie as Magda in the TV Series Penny Dreadful: City of AngelsCaptivating Natalie Dormer aims to be your most up-to-date and comprehensive source for Natalie. Check back daily for all the latest news, photos and info. Thank you for visiting the site and supporting Natalie and her career!


Welcome

Welcome to Captivating Natalie Dormer one of the largest and longest running sources dedicated to British Actress Natalie Dormer. Natalie is best known for her role as Anne Boleyn in Showtime’s The Tudors but you also may recognise her from CasanovaGame of Thrones and The Hunger Games: Mockingjay Parts 1 & 2. Currently, you can find Natalie as Magda in the TV Series Penny Dreadful: City of AngelsCaptivating Natalie Dormer aims to be your most up-to-date and comprehensive source for Natalie. Check back daily for all the latest news, photos and info. Thank you for visiting the site and supporting Natalie and her career!


Captivating Natalie Dormer
Mel       August 28, 2020       Penny Dreadful: City of Angels (2020), Photo Gallery, Projects       No Comments
Mel       August 28, 2020       Penny Dreadful: City of Angels (2020), Photo Gallery, Projects       No Comments
Mel       August 28, 2020       Penny Dreadful: City of Angels (2020), Photo Gallery, Projects       No Comments

Gallery Link:
1.03 – Wicked Old World

Mel       August 28, 2020       Penny Dreadful: City of Angels (2020), Photo Gallery, Projects       No Comments
Mel       August 28, 2020       Penny Dreadful: City of Angels (2020), Photo Gallery, Projects       No Comments

Gallery Link:
1.01 – Santa Muerte

Mel       August 28, 2020       Penny Dreadful: City of Angels (2020), Photo Gallery, Projects       No Comments

Gallery Link:
Promotional Photoshoot

Mel       August 28, 2020       Penny Dreadful: City of Angels (2020), Photo Gallery, Projects       No Comments

Gallery Link:
Promotional Posters

Mel       August 28, 2020       Captain America: The First Avenger (2011), Photo Gallery, Projects       No Comments

I happened to find some new photos of this event that I didn’t have. It also happens to be one of my favourites, enjoy!

Gallery Link:
Jul 19 | ‘Captain America The First Avenger’ Los Angeles Premiere

Mel       July 06, 2020       News, Penny Dreadful: City of Angels (2020), Projects       No Comments

Natalie Dormer loves a challenge. The actress who broke the period drama mould when she burst onto screens as Anne Boleyn in The Tudors and slayed Game of Thrones as Margaery Tyrell is back with Sky Atlantic’s new show, Penny Dreadful: City of Angles, and she doesn’t just play one character, she plays FOUR.

Set in 1938 Los Angeles with swirling racial tension, the first of these characters is Magda, a shape shifting demon who has a penchant for causing maximum chaos wherever she goes. The resulting chaos causes a race war and the show could not be more apt for the times we find ourselves in right now. That is the power of this story – it will provoke conversation.

Here, Natalie discusses the meanings behind the show, her faith in her physicality and finding her voice with age…

You are fierce with a capital F in this. The fact you play four of these formidable characters is incredible. How much of an amazing experience was it to find a script and a project like this for you?

I mean one of the reasons I said yes was because how many times am I going to be offered to play four roles in one gig? And it is quite a bit of range for fun, have some playtime in the dressing up box with voices, physicality and the whole characterisation. So that was obviously one of the main attractions that made me want to take the job. It’s a good bit piece of gymnastic exercise because you need to sort of flex your muscle and ask yourself, ‘can I do this?

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Mel       July 03, 2020       News, Penny Dreadful: City of Angels (2020), Projects       No Comments

TheWrap Emmy magazine: “Ordinarily I would stay in an American accent entire time — but in this job is there was no point in that, because I was jumping around so much,” the British actress says

If Natalie Dormer did nothing in “Penny Dreadful: City of Angels” but play the dark goddess Magda, the British actress would have had a juicy role as a supernatural force intent on pushing the human race into turmoil in 1930s Los Angeles. But one of Magda’s special powers is that she can assume any form she wishes — so in addition to appearing on screen as Magda, Dormer also gets to play three of her human iterations in the mousy but scheming political aide Alex, the German-American housewife Elsa and the zoot-suited gang leader Rio.

“For any actor, I think your ears prick up when you get offered the chance to play four roles for the price of one — how many times is that going to happen in your career?” Dormer said of her reaction when she got the script from creator John Logan. “I was intrigued by it, and excited by the idea of this workout both physically and mentally.”

But when she was working out how she’d play Magda’s three human forms, “Game of Thrones” vet Dormer said she didn’t dwell on the fact that they were all versions of the goddess. “I came at the iterations from a very technical perspective, because I wanted give them clear lines of identity — physicality and voice and accent and so forth,” she said. “But when it comes to psychology, John and I realized very quickly that the only way to play Elsa, Alex and Rio is as fleshed-out human individuals. You don’t get that wink at the camera, because we found it undermined the scenes that those individuals are in.”

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